Creative just proved you don't need to spend big for cinematic sound in small spaces. The Creative Stage Pro soundbar punches well above its budget weight class with SuperWide processing that creates an expansive soundstage, but only if you understand its limitations. WIRED's hands-on review reveals this compact powerhouse works best at close range.
The budget soundbar market just got more interesting. Creative's Stage Pro isn't trying to compete with premium systems - instead, it's carving out a specific niche for small-space audio that most manufacturers ignore.
Simon Cohen's WIRED review reveals the Stage Pro's secret weapon: SuperWide processing that actually works, but only under the right conditions. "I was expecting SuperWide would make dialog harder to understand, but the Stage Pro has exceptional vocal clarity for both Far and Near, even in Music and Movie modes," Cohen notes in his testing.
The soundbar's dual-mode approach addresses a real problem. Most budget soundbars either sound terrible or lack features. Creative splits the difference with Near and Far SuperWide modes that adjust the soundstage based on your listening distance - a smart compromise that recognizes not everyone has a dedicated media room.
But here's where it gets tricky. Cohen discovered the Stage Pro demands precise positioning to deliver on its promises. The included rubber feet angle the drivers upward, but he found this insufficient for his setup, ultimately improvising with AA batteries to achieve the right trajectory. "When sitting close, both Near and Far SuperWide modes will sound much better if you get this angle right," he explains.
The positioning requirements become even more critical in real-world scenarios. During bedroom testing with a 32-inch TV, Cohen found that even slight viewing angle differences between bed positions created noticeable audio disparities. His wife's 10-degree off-axis position hit the sweet spot, while his 30-degree angle delivered a "less immersive experience."
This reveals Creative's calculated trade-off. The Stage Pro sacrifices the forgiving sound dispersion of larger systems for the enhanced imaging that SuperWide processing provides. It's a bet that small-space users will appreciate the theatrical effect more than they'll miss the flexibility.
The audio performance itself tells a nuanced story. Cohen praises the vocal clarity across all modes but notes significant limitations at higher volumes. "Screechiness in the highs starts to creep in around 50 percent and by the time you're at 75 percent it just feels like noise," he reports. This volume ceiling reinforces the Stage Pro's intended use case - intimate listening rather than party-level playback.
